Hi everyone!
It’s been a while since my last post, so kudos to Jesse for
keeping everything up to date.
First off, we wanted to let you all in on a project we’ve
been working on for Liz. She and Shiri
Appleby (see previous post about our awesome trip to the set of Dating Rules from my Future Self) have a
meeting in a few weeks with Hulu and were asked to pitch an idea for a web
series. They came up with a concept, and
I helped out by fleshing it out and preparing a little pitch for Liz, Shiri and
the other Minterns. At this point,
Jesse, Elizabeth and I have each gotten a chance to do such a pitch to practice
conveying our ideas and visions for a project.
So on Tuesday, the Minterns headed over to Shiri’s for a
photo shoot. The plan is to create sample
posters so Liz and Shiri can show off the concept’s marketability. We can’t reveal the full concept of the
potential series, but suffice it to say that big love can come in small
packages!
On Monday, we were lucky enough to get to meet Josh Randall,
an actor Liz directed on Franklin and
Bash. He’s been featured on Joey, Cold Case, CSI: Miami and CSI: New York, Lost, The New Adventures of
Old Christine, The Mentalist, Law and Order: SVU and Grey’s Anatomy and has completed character arcs on Ed, Scrubs, Courting Alex, Men in Trees,
Pushing Daisies, Raising the Bar, Greek and Criminal Minds…among others.
He came by and we trapped him in the Min so he
could answer our questions about life as an actor in L.A., the TV industry, and
what he likes in a director.
Since television directors are usually hired by the episode
and often are neither producers nor creators of the show, they are in a very unique
position compared to film directors. It
was interesting and very helpful to hear what Josh had to say about his
preferences for a director’s balance between letting the actor handle his
character and trying to find new angles or richer layers. Essentially, the take-home message was that
you really have to play it by ear; he said he’s had directors who have been
able to deepen his character and his character’s relationships, but he’s also
had directors who have turned to him for advice about a show’s tone or comedic
style. And it seems like both can work
well, as long as each party respects the other’s input. Of course, that might not always be the case.
Thanks Shiri and Josh!
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